AN ECHO OF INCORPOREALITY

«An echo of incorporeality» project is a conceptual continuation of the «One head wonders” series, in which the artist delves deeper into exploring complex philosophical and artistic questions related to the dissociation of body and soul, as well as the transformation of spatial and material perception. This project emphasizes the study of the two-dimensional plane as a metaphor for an alternate dimension, where traditional notions of form, matter, and their interaction are reinterpreted.  

From an art-historical perspective, «An echo of incorporeality» can be seen as an attempt to deconstruct classical ideas of painting and sculpture. The artist examines the plasticity of materials not only in a physical sense but also within the context of their symbolic potential. The material ceases to be merely a means of expression—it becomes an independent subject of study, capable of transforming, altering its properties, and, consequently, influencing the viewer’s perception.   

A key aspect of the project is the idea of transporting the viewer into another dimension. This is achieved not only through visual techniques but also by creating a new perspective on space. The artist experiments with composition, perspective, and texture to dissolve the conventional boundaries between reality and illusion. The two-dimensional plane becomes a field for exploring multidimensionality, immersing the viewer in an interactive engagement with the artwork.  

Another crucial element of the project is the plasticity of the painting in space. The artist investigates how an image can exist not just as a static object but as a dynamic form, capable of changing under external influences—including the viewer’s presence. This raises questions about the viewer’s role in shaping the meaning of the artwork and how art can become interactive, inviting the audience to participate in the act of creation.  

Thus, «An echo of incorporeality» is not merely a series of works but a profound philosophical and artistic inquiry that challenges traditional notions of body, soul, matter, and space. Through experiments with form, material, and perception, the artist develops a new visual language, allowing the viewer to transcend conventional reality and enter a world where the boundaries between the physical and metaphysical dissolve.